DxO Labs develops FilmPack 3 film simulation software
DxO Labs has launched FilmPack 3, the latest version of its silver halide film simulation software. The software now includes the ability to mimic up to 60 famous black and white, and color films, based on calibration from professional prints, giving what the company claims is the most precise film simulation on the market. Version 3 adds new film looks and color filters. It also brings a greater degree of control, including HSL sliders, a channel mixer for optimizing Black and White conversions and, at customer request, the ability to add vignetting. Custom film styles can also be created by mixing the color response of one film with the grain pattern of another. The software is available as standalone software or plugins for DxO Optics Pros, Photoshop, Lightroom or Aperture.
Press Release:
New DxO FilmPack 3 Provides Unrivaled Film Fidelity and Opens Up Boundless Creativity OpportunitiesNew features include redesigned User Interface, and extended connectivity with Lightroom, Photoshop and Aperture. DxO FilmPack 3 is available at launch with up to 30 percent discount.
Paris, France – DxO Labs today announces DxO FilmPack 3 for Mac and Windows, the latest version of its reference software simulating silver halide film rendition based on DxO Labs' unique 10 years of recognized expertise in calibration. DxO FilmPack 3 allows photographers, from experts to beginners, to recreate the magic of dozens of black & white or color film stocks in one click, offering limitless creative options for their digital images.
Unrivaled Film FidelityLeveraging its worldwide known scientific expertise in image quality measurement, and working with world class film processing facilities, Picto - Paris and Duggal - New York, DxO Labs has developed a unique film profiling process, ensuring the most precise film simulation available on the market today. Users can easily give their prints, including large format fine art prints, the appealing grain, color and contrast of famous film stocks, recalling the deep history of photography and rich legacy of each film look.
Legendary black & white film photographer Sebastio Salgado, who recently migrated from film to digital, says "DxO FilmPack has become a must have step in my photographic workflow to render the unique Kodak Tri-X grain on my large format prints."
"In cases such as Kodachrome, the film is not available anymore, and our painstaking work to accurately portray the unique attributes of each stock in DxO FilmPack 3 is the only way to achieve these characteristics," said Cyrille de La Chesnais, Director Sales & Marketing for DxO Labs' Photography business.
Fine Art Black And White Photography - News
Users can easily give their prints, including large format fine art prints, the appealing grain, color and contrast of famous film stocks, recalling the deep history of photography and rich legacy of each film look. Legendary black & white film

The holes cast shadows on the paper, which create gray space on the black-and-white photo and give an illusion of depth. Chung puts it best: "Ultimately, the series is about information access and my quest for a resolution that I could never find:
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Source: L & M Arts via A detail from "Onehundredandfifty Black / White / Grey Marilyns" by Andy Warhol. Dating from 1980, the 33-foot-wide painting is being exhibited by the Zurich dealers Galerie Bruno Bischofberger AG at the Art Basel fair
Sailing Into The Sunset | Fine Art Photography in Black and White ...
There are times you take a very good photograph but do not know it until see the finished results. This photograph is one of those events. Our daughter from Chicago was visiting and as we do with all visitors we headed out to Pensacola Beach later in the afternoon.
As we sat up our chairs we watched two motorized parasailers flew be out over the gulf and disappeared down the beach.
Florida is known for its beautiful sunsets and this evening was going to be one of them as we sat enjoying the cooling gulf breezes on a hot day.
The setting sun went behind the clouds as one parasailer came back towards us, waved as he passed by overhead and headed into the sunset. Just then the sun suddenly came through the clouds and I took several different photos as the sun illuminated the sail and cast a glow around it.
I had the camera set to capture the sunset and the parasailer was a dramatic addition to the scene. Many times when you shoot directly into the sun with a digital camera you will get glare or reflections in the lens, but not this time!
I am showing the scene in both color and black and white but I like the color photo the best.
Award winning photographer, Franklin (Frank) Brueske, is originally from Southeastern Minnesota. He became interested in photography while in elementary school and purchased his first camera from a rural community drug store when he was is the sixth grade. It took 127 film, was fixed focus, but had sun and cloud adjustments. He still has that camera today.
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